Morgens im Glück, weil die @Kunstsammlungen #Chemnitz ein Bild von #KarlSchmidtRottluff erwerben konnten, abends am Boden zerstört, weil jugendliche #Neonazis mich verprügelt haben. Die zwei Seiten dieser Stadt?
Morgens im Glück, weil die @Kunstsammlungen #Chemnitz ein Bild von #KarlSchmidtRottluff erwerben konnten, abends am Boden zerstört, weil jugendliche #Neonazis mich verprügelt haben. Die zwei Seiten dieser Stadt?
In the video, the exhibition space resembles its appearance to date, but also seems to document a different time — in the future or the past. With this proposal of temporality as a possibility, the Witte de With archive is read as a sculpture in process, a temporary topography or architecture of memory. In order to capture what is yet invisible but present, the camera pans down shelves, boxes and items.
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Add Yours →In the video, the exhibition space resembles its appearance to date, but also seems to document a different time — in the future or the past. With this proposal of temporality as a possibility, the Witte de With archive is read as a sculpture in process, a temporary topography or architecture of memory. In order to capture what is yet invisible but present, the camera pans down shelves, boxes and items.